Below are two stage plots, one for both a 16 channel and a 20 channel mixing board, illustrating all of
basic needs and how we set up the band. This is a good reference for club owners, event coordinators and sound men. For the most part we use B& B productions as our personal sound company, but occasionally we do go elsewhere, for long distance shows etc..
For a printable version of the stage plot, just click either option 16 track or 20 track mix.
16 track stage plot
20
track stage plot
Things to know when mixing Libido Funk Circus
- The band brings all of their own microphones, cables and microphone stands. The band will mic themselves, send each line through their monitor board, and then send all lines to the FOH via a snake. The sound technician can insert the clearly
labeled inputs into their system in whichever order he/she would like.
- 4 of the 6 members of Libido Funk Circus use in-ear monitors, which are controlled by their own monitor board. However 4 wedges (using 2 different mixes) are required for the 2 who do not use
in-ears. The front 3 monitors will be used for vocals only (all using the same mix) and the fourth monitor will be used for instruments.
- All of the keyboards are pre-recorded and played back by a hard-disk recorder, which is located
and controlled by the drummer. All of the tracks have been mastered to the same level, and they do run through a compressor before they reach the FOH. However, in order to keep them sitting right
- in the mix, they may require a little “fader riding” on the part of the sound engineer.
- If a temporary stage is going to be used, please make sure it is as stable as possible.
- If a drum riser is going to be used, it must be at least 10’X10’ and extremely stable and level. If it is not, we kindly request that no riser be used at all.
16 Channel Stage Plot Diagram, Mic Chart & Montior Needs

Number on Chart |
Description |
Mic/Input |
1 |
Kick |
AKG D112 |
2 |
Snare |
Shure SM-57 |
3 |
HiHats |
Shure SM-57 |
4 |
Rack Tom 1 |
RS-10 |
5 |
Rack Tom 2 |
RS-10 |
6 |
Floor Tom |
RS-10 |
7 |
Bass |
DI from back of amp |
8 |
Guitar Stage Left |
Shure SM-57 |
9 |
Guitar Stage Right |
Shure SM-57 |
10 |
Pre-recorded Keyboards |
DI |
11 |
Stage Right vocals |
Shure SM-58 |
12 |
Female Lead Vocals |
Shure SM-58 |
13 |
Male Lead Vocals |
Shure SM-58 |
14 |
Bass Player Vocals |
Shure-SM-58 |
15 |
Stage Left Guitar Vocals |
Shure Beta-58 |
16 |
Drum Vocals |
Shure Beta 58 |
Monitor Number |
What is needed |
1,2 &3 |
A decent amount of the stage-right guitarist’s vocals (#11), Female lead vocals (#12) and Male lead vocals (#13)…a medium amount of the drum vocals (#16)…and a very small amount of the bass player’s vocals (#14) and the stage-left guitarist’s vocals (#15). |
4 |
Keyboards (#10), stage-left guitar (#8) and if necessary, some bass guitar (#7). |
20 Channel Stage Plot Diagram, Mic Chart & Montior Needs

Number on Chart |
Description |
Mic/Input |
1 |
Kick |
AKG D112 |
2 |
Snare |
Shure SM-57 |
3 |
HiHats |
Shure SM-57 |
4 |
Rack Tom 1 |
RS-10 |
5 |
Rack Tom 2 |
RS-10 |
6 |
Floor Tom |
RS-10 |
7 |
Bass |
DI from back of amp |
8 |
Guitar Stage Left |
Shure SM-57 |
9 |
Guitar Stage Right |
Shure SM-57 |
10 |
Pre-recorded Keyboards and strings |
DI |
11 |
Pre-recorded Drum Loops and sub-bass |
DI |
12 |
Pre-recorded Percussion |
DI |
13 |
Pre-recorded Horns |
DI |
14 |
Pre-recorded Backing Vocals |
DI |
15 |
Stage Right Guitar Vocals |
Shure SM-58 |
16 |
Female Lead Vocals |
Shure SM-58 |
17 |
Male Lead Vocals |
Shure SM-58 |
18 |
Bass Player Vocals |
Shure-SM-58 |
19 |
Stage Left Guitar Vocals |
Shure Beta-58 |
20 |
Drum Vocals |
Shure Beta 58 |
Monitor Number |
What is needed |
1,2 &3 |
A decent amount of the stage-right guitarist’s vocals (#15), Female lead vocals (#16) and Male lead vocals (#17)…a medium amount of the drum vocals (#20)…and a very small amount of the bass player’s vocals (#18) and the stage-left guitarist’s vocals (#19). |
4 |
Keyboards (#10-14), stage-left guitar (#8) and if necessary, some bass guitar (#7). |
ELECTRICAL SPECIFICATIONS
We REQUIRE 3 separate and dedicated 20 amp power circuits.
All generator situations must be approved by the band and their
sound company in advance.
SOUND SYSTEM REQUIREMENTS
The size of the PA and lighting system necessary for your event
will need to be agreed upon a minimum of 30 days prior to the day of
the event. The best thing to do is call LFC Entertainment at 630.294.7132 to work out the details in advance.
Questions?
Contact Jeff Harris at jeffharris316@sbcglobal.net
or 630.294.7132
|